“We have so many very core survival mechanisms and emotionalities wrapped up in sound.”
Tag: Interview
Resonant Frequencies: A Conversation with Sara Gold
“I recently had the chance to speak with experimental sound practitioner Sara Gold for West Coast publication ReIssue.”
Notebook: Bernadette Corporation: “2000 Wasted Years”
“BC’s decentralized artistic approach took a critical position toward the commoditization of the singular artist’s identity while exploring capitalism’s strange existential slippages.”
Notebook: Chris Kraus at RFA
“In 2011, I had a chance to speak with Kraus about her films, which were shown at Real Fine Arts (RIP) under the BQE on the border of industrial Greenpoint.”
Client Work: Other Subjects/Killer Dentist
“I was happy to help NYC experimental publisher and curatorial project Other Subjects/Killer Dentist in the past year with some editing and transcribing work for the book Dictionary For Mayflies by filmmaker Keren Cytter, as well as an interview with performance artist Lisa Carver.”
“Ancestral, Elemental, and Poly-Vocal: a conversation with Gavilán Rayna Russom”
“Rather than being like, Oh, I want to make an amazing track, the coding of time has been much more what I’m interested in. At the forefront is, what am I doing with time here? How am I structuring time?”
Interview: “The Undertaker: SWANS’ Michael Gira”
“A user had commented: ‘You’re not watching music, you’re watching an exorcism. We’re all lucky Michael Gira had musical talent or else he’d probably be doing serial killings.'”
Art in America: “Kim Gordon: Guitars, Guns, Goo”
“I think women are natural anarchists because you’re always operating in a male framework.”
Art in America: “Bjarne Melgaard: Painter as Pig, Painting as Prostitute”
“I think it is interesting how you corrupt your own work, in the sense of how you also corrupt yourself.”
Art in America: “Eileen Myles”
“There was a character and that was me. And you figured out how to get your part bigger.”